TM wrote:
I'm not a skeptic but how can a medium talk
and listen at the same time. So L.I.Medium will be talking nonstop and say
"they just told me" but how can she hear anything while she's been
talking? I am so curious about this I'm trying to get an idea of how this works.
Thanks for any input.
In the early days of channeling it was very difficult for me to
talk and hear at the same time. As you do it more and more it gets
easier. It's like patting your head and rubbing your stomach at the same
time and then switching back and forth. At first it is hard, then you get
used to it.
One of the guides just said to me it is like listening to music
and having a conversation at the same time. On some level you are hearing
that music while you are talking.
I am a huge fan of Theresa Caputo, the Long Island Medium. I
did not go to school to learn how to channel and have always looked to other
mediums to learn. I have seen that channeling is different from one
person to another. One of the things that I do, or more to my liking, one
of the reasons I feel am here is to let people know they have the same senses
that a medium does and they can talk to Spirit too.
Their sense of speaking to Spirit can be developed. Or, you
might already be hearing Spirit and just not realize it. Spirit could start speaking to you in your
dreams. Like somebody calls your name and you wake up. Who was
that? I wasn't having a dream. Who was that? You may never
know. You could possibly call it Spirit...or Somebody in Spirit and not
lose any sleep over it.
Awakening your sense of Spirit could be as simple as creating a
new belief. The idea that you can be heard. Spirit can hear
you. You might not be able to hear them yet, but they sure can hear you.
Also, the words that a medium hears might be as fast as a flash of
lightening, or an electrical impulse. It is almost an
understanding. Sometimes what a medium hears comes to them as a visual
cue too. Putting it all together you have the message of Scotland, a
hilltop, an old man, a strong man standing there. Involved with the
railroad. How, I don't know. Cottage, farm in the background.
Other buildings. Out buildings. Smoke from peat fires. Stings
my eyes. Hard to breathe. Moist. Other people. A little
boy. His back is bent. He works hard in the fields. His
brother gets to go up into the hills to watch the sheep. He thinks his
brother has the better job because he doesn't have to go to school.
Sometimes, for me it is just seeing things like I just did.
Maybe these are your relations from another time.
Pauline
Evanosky
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